The ARRI Alura 45-250mm zoom lens is ARRI's big studio zoom lens. Its highest optical quality in a robust housing makes it a popular lens for almost any production. Its high resolution is optimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3. This lens is matched to all other ARRI zoom and prime lenses
The Master Prime Lenses are both fast and have an optical performance surpassing that of all standard speed primes. There are new creative opportunities with these lenses, making shots possible that would have been considered impossible before. The Master Primes have been co-developed by ARRI and ZEISS, are manufactured by ZEISS, and are sold exclusively by ARRI.
The ARRI Signature Prime Lenses offer unparalleled optical performance and are designed to be used with full-frame, large-format sensors, as well as Super 35. These lenses are known for their natural, immersive look with smooth focus transitions and gentle highlights, making them ideal for high-end film and television productions. • Covers Large-Format and Super 35 Sensors: The lenses are versatile, working with both full-frame and Super 35 formats. Included magnetic format masks make it easy to switch between formats. • Rear Net Holder for Diffusion: Stockings, nets, and voile can be mounted in the rear net holder to create customized diffusion effects, adding a creative touch to your cinematography. • Smooth Bokeh with 11-Blade Iris: The eleven iris blades produce a smooth, rounded bokeh, enhancing the aesthetic quality of out-of-focus areas in your shots. • Telecentric Design Minimizes Breathing: The telecentric optical design ensures minimal focus breathing, making focus pulls smooth and professional. • LDS-2 Lens Data System: The built-in LDS-2 lens data system is backwards-compatible with ARRI LDS-1 and communicates with Cooke's /i Technology, ensuring seamless integration with modern camera systems. • T1.8 to T22 Aperture Range: The wide aperture range allows for creative control in various lighting conditions, making these lenses perfect for low-light shoots. • Geared Focus and Aperture Rings: Both the focus and aperture rings are geared for compatibility with focus pulling systems, allowing for precise manual adjustments. • Clickless Iris Ring: The clickless iris provides silent, smooth adjustments to exposure mid-shot. • Durable Construction: The lenses are constructed from magnesium and aluminum, making them lightweight yet durable, with a weight of only 4.4 lbs. • Anti-Reflective Coatings: Ensures minimal flare and maximum contrast, delivering crisp, sharp images in any lighting condition.
Designed to match the look and feel of ARRI's Signature Prime range, the LPL-mount 65-300mm T2.8 Signature Zoom with 1.7x Extender produces attractive, organic images while covering sensor sizes ranging from Super 35 to full-frame, large-format. This lens includes ARRI's 1.7x Extender, which gives you a 110.5-510mm range when attached. The 65-300mm zoom features controlled flaring for HDR compatibility and lower contrast ratios for opening up shadowed areas. It also maintains its T2.8 maximum aperture across its entire focal length range, negating the need for ramping while zooming.
The Premista 28-100mm T2.9 Lens Kit from Fujinon combines the cine-style zoom lens with a Chrosziel Full Servo Drive. The full-frame lens covers up to a 46.3mm image circle in addition to Super35 sensors. This kit combination enables you to integrate the Premista 28-100mm cine-style lens into your ENG, broadcast, multicamera, or remote head workflow. Read more below about each component in this kit.
The ARRI / ZEISS Master Anamorphic Lenses have been jointly developed by ARRI and ZEISS. The anamorphic lenses offer a unique optical performance, with optimized flare and bokeh as well as state-of-the-art lens barrels featuring improved dust and water protection.